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<channel>
	<title>Bashō&#039;s Road</title>
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	<description>to the small poem and the quiet voice within</description>
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			<item>
		<title>Norbert Blei &#124; August 23, 1935 &#8211; April 23, 2013</title>
		<link>http://bashosroad.outlawpoetry.com/norbert-blei-august-23-1935-april-23-2013/norbert-blei/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/norbert-blei-august-23-1935-april-23-2013/norbert-blei/haiku/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 09:13:16 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Norbert Blei]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=642</guid>
		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-643" title="Norbert Blei" src="http://bashosroad.outlawpoetry.com/files/2013/04/NorbertBleinew.jpg" alt="" width="758" height="758" /></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>j.f. kadlec</title>
		<link>http://bashosroad.outlawpoetry.com/j-f-kadlec-2/j-f-kadlec/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/j-f-kadlec-2/j-f-kadlec/haiku/#comments</comments>
		<pubDate>Fri, 01 Feb 2013 20:49:24 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[J.F. Kadlec]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=639</guid>
		<description><![CDATA[
J.F.KADLEC
Just another
one
looking for the
light switch
 
he wrote upon
a sea of gravestones 
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-640" src="http://bashosroad.outlawpoetry.com/files/2013/02/JewishCemetery.jpg" alt="" width="758" height="501" /></p>
<h1 style="text-align: center"><span style="color: #ffcc99"><strong>J.F.KADLEC</strong></span></h1>
<h1><em><strong>Just another<br />
one<br />
looking for the<br />
light switch</strong></em></h1>
<h1><strong> </strong></h1>
<h1><strong>he wrote upon<br />
a sea of gravestones </strong></h1>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>k.j. maas &#124; silence</title>
		<link>http://bashosroad.outlawpoetry.com/k-j-maas-silence/k-j-maas-2/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/k-j-maas-silence/k-j-maas-2/haiku/#comments</comments>
		<pubDate>Thu, 13 Dec 2012 07:18:20 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[K.J. Maas]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Silence]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=637</guid>
		<description><![CDATA[
k.j. maas
Silence
 
She wondered what it was like in his silent
world, and wished she could tell him. Instead,
she traced his eyebrows with her fingertips.
[from HINT FICTION]
]]></description>
			<content:encoded><![CDATA[<p style="text-align: center"><img class="alignnone size-full wp-image-638" src="http://bashosroad.outlawpoetry.com/files/2012/12/Break_The_Silence_by_shutte.jpg" alt="" width="758" height="1154" /></p>
<h1 style="text-align: center"><strong>k.j. maas</strong></h1>
<h1><strong>Silence</strong></h1>
<h1><strong> </strong></h1>
<h1><strong>She wondered what it was like in his silent<br />
world, and wished she could tell him. Instead,<br />
she traced his eyebrows with her fingertips.</strong></h1>
<p>[from <a href="http://www.robertswartwood.com/hint-fiction/">HINT FICTION</a>]</p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>sparrow &#124; poor sparrow&#8217;s almanac</title>
		<link>http://bashosroad.outlawpoetry.com/sparrow-poor-sparrows-aamanac/sparrow/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/sparrow-poor-sparrows-aamanac/sparrow/haiku/#comments</comments>
		<pubDate>Mon, 03 Dec 2012 11:42:54 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Sparrow]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Poor Sparrow's Almanac]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=634</guid>
		<description><![CDATA[
Poor Sparrow&#8217;s Almanac

 SPARROW
In a &#8220;free store&#8221; in Woodstock, New York, I found The Autobiography and Other Writings, by Benjamin Franklin — an edition celebrating the three-hundredth an­niversary of Franklin&#8217;s birth. I&#8217;d already read the autobiography, so I began the se­lected writings. Early in our history Franklin helped define the American personality, most notably through [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-636" src="http://bashosroad.outlawpoetry.com/files/2012/12/301.jpg" alt="" width="758" height="1200" /></p>
<h1 style="text-align: center"><strong><span style="color: #ffcc99">Poor Sparrow&#8217;s Almanac</span><br />
</strong></h1>
<h1 style="text-align: center"><strong> SPARROW</strong></h1>
<h3 style="text-align: justify"><strong><em>In a &#8220;free store&#8221; in Woodstock, New York, I found The Autobiography and Other Writings, by Benjamin Franklin — an edition celebrating the three-hundredth an­niversary of Franklin&#8217;s birth. I&#8217;d already read the autobiography, so I began the se­lected writings. Early in our history Franklin helped define the American personality, most notably through his proverbs, published in Poor Richard&#8217;s Almanack: &#8220;There are no Gains, without Pains.&#8221; &#8220;Diligence is the Mother of Good Luck.&#8221; &#8220;Plow deep, while Sluggards sleep, and you shall have Corn to sell and to keep.&#8221; All that industry, hard work, and thrift — just reading it is exhausting! I vowed to write a new series of proverbs to counteract Franklin&#8217;s and free Americans from busyness and worry. My goal is to assemble an army of daydreamers.</em></strong></h3>
<h1><span style="color: #ffcc99"><strong>Don&#8217;t put off till tomorrow what you can put off for three days.<br />
There will be plenty of time to work when you&#8217;re dead.<br />
Jesus quit his job.<br />
The unexamined life is not worth examining.<br />
Even God worked for only six days, then took a vacation.<br />
Smart people save their pennies; fools give lavish banquets. But who has more friends?<br />
If at first you don&#8217;t succeed, stop trying so hard.<br />
No man is self-sufficient (though some women are).<br />
Sisyphus was a highly productive worker.<br />
We have free-range chickens, but where are the free-range people?<br />
How sad that so many hammocks are empty!<br />
What looks like inefficiency is often happiness.<br />
The rich chuckle; the poor laugh.<br />
The concept of &#8220;stress&#8221; has made the world more stressful.<br />
Tap your potential — but tap it lightly!</strong></span></h1>
<p>[from THE SUN, August 2012]</p>
]]></content:encoded>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>lilliput review &#124; dan o&#8217;brien &#124; frances angela &#124; johnny f. nickles &#124; noel sloboda &#124; robert e. wood &#124; t. kilgore splake</title>
		<link>http://bashosroad.outlawpoetry.com/lilliput-review-dan-obrien-frances-angela-johnny-f-nickles-noel-sloboda-robert-e-wood-t-kilgore-splake/noel-sloboda/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/lilliput-review-dan-obrien-frances-angela-johnny-f-nickles-noel-sloboda-robert-e-wood-t-kilgore-splake/noel-sloboda/haiku/#comments</comments>
		<pubDate>Thu, 15 Nov 2012 20:55:29 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Dan O'Brien]]></category>
		<category><![CDATA[Don Wentworth]]></category>
		<category><![CDATA[Frances Angela]]></category>
		<category><![CDATA[Johnny F. Nickles]]></category>
		<category><![CDATA[Lilliput Review]]></category>
		<category><![CDATA[Noel Sloboda]]></category>
		<category><![CDATA[Robert E. Wood]]></category>
		<category><![CDATA[t. kilgore splake]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=630</guid>
		<description><![CDATA[
Excerpts:
LILLIPUT REVIEW
#186, #187
Editor’s Note:  Literature-ly speaking&#8212;-STILL, one of the best bangs for your buck to be found on the little mag scene here or abroad. Don Wentworth knows the territory (write small, publish ‘little’, think big), knows the word, cherishes and celebrates it like few others on the little mag/small press scene. Not to [...]]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center"><img class="alignnone size-full wp-image-633" src="http://bashosroad.outlawpoetry.com/files/2012/11/don.jpg" alt="" width="758" height="458" /></h1>
<h1 style="text-align: center"><strong>Excerpts:<br />
LILLIPUT REVIEW<br />
<span style="color: #ffff99">#186</span>, <span style="color: #ff6600">#187</span></strong></h1>
<p style="text-align: justify"><strong><span style="color: #ffffff">Editor’s Note: </span> Literature-ly speaking&#8212;-STILL, one of the best bangs for your buck to be found on the little mag scene here or abroad. Don Wentworth knows the territory (write small, publish ‘little’, think big), knows the word, cherishes and celebrates it like few others on the little mag/small press scene. Not to mention he keeps the doors of publication open to one and all, first-timers, old-timers… Something rare. We all owe him our support.</strong></p>
<p style="text-align: justify"><strong>LR is published quarterly, shipped two issues at a time, every 4th issue being a broadside that features the work of a single poet. All poems submitted should be 10 lines or less, 3 poem maximum  per submission. SASE  or in the trash. All poems should be previously unpublished, unless noted. Payment for accepted work is 2 copies of the issue in which the work appears. Reporting time is 2 to 12 weeks. </strong></p>
<h1 style="text-align: center"><strong>LILLIPUT REVIEW PRICE SCHEDULE</strong></h1>
<p style="text-align: center"><strong> 1 issue + 1.00 or SASE or 2 stamps<br />
6 issues + $5.00/Foreign+ $10.00<br />
15 issues = $10.00/Foreign + $20.00</strong></p>
<p style="text-align: center"><strong>Checks payable to: Don Wentworth, Editor, 282 Main Street, Pittsburgh, PA 15201 or Payable online: <a href="http://lilliputreview.blogspot.fr/">http//:lilliputreview.blogspot.com</a></strong></p>
<p style="text-align: justify"><span style="color: #ffffff"><strong>&#8211; Norbert Blei</strong></span></p>
<p><strong><img class="alignnone size-full wp-image-631" src="http://bashosroad.outlawpoetry.com/files/2012/11/lilli.jpg" alt="" width="758" height="928" /></strong></p>
<blockquote>
<h1><strong>chill<br />
summer suddenly old age</strong></h1>
</blockquote>
<p><span style="color: #ffff99">- t. kilgore splake</span></p>
<blockquote>
<h1><strong>Crow<br />
is back—</strong></h1>
<h1><strong> spring’s black eye.</strong></h1>
</blockquote>
<p><span style="color: #ffff99">- Robert E. Wood</span></p>
<blockquote>
<h1><strong>around my neck<br />
the knot<br />
my father taught me</strong></h1>
</blockquote>
<p><span style="color: #ffff99">- Noel Sloboda</span></p>
<p><strong> </strong><span style="color: #ffcc00"> </span>from<strong> <span style="color: #ffff99">LILLIPUT, #186, Summer 2012, $1</span></strong>]</p>
<p><strong><img class="alignnone size-full wp-image-632" src="http://bashosroad.outlawpoetry.com/files/2012/11/lillililli.jpg" alt="" width="758" height="905" /></strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong></p>
<blockquote>
<h1><strong>Kerouac Atlas</strong></h1>
<h1><strong>He draws a star on a bar napkin<br />
and says, “You are here.”<br />
Then he flips the napkin over<br />
“This,” he says, pointing<br />
at the empty expanse,<br />
“this is where you want to be.”</strong></h1>
</blockquote>
<p><span style="color: #ff6600">- Johnny F. Nickles</span></p>
<p></strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong> <strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong></p>
<blockquote>
<h1><strong>she suggests<br />
I go for a bone scan<br />
once<br />
I had<br />
black hair</strong></h1>
</blockquote>
<p><span style="color: #ff6600">- Frances Angela</span></p>
<blockquote>
<h1><strong>Mother</strong></h1>
<h1><strong>The water in the bowl after<br />
the flowers have been lifted out</strong></h1>
</blockquote>
<p><span style="color: #ff6600">- Dan O’Brien</span></p>
<p>[from <span style="color: #ff6600"><strong>LILLIPUT REVIEW, #187, Summer, 2012, $1</strong></span>]</p>
<p></strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>richard jones &#124; white towels</title>
		<link>http://bashosroad.outlawpoetry.com/richard-jones-white-towels/richard-jones/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/richard-jones-white-towels/richard-jones/haiku/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 14:30:34 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Richard Jones]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[white towels]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=627</guid>
		<description><![CDATA[
RICHARD JONES
WHITE TOWELS

I have been studying the difference
between solitude and loneliness,
telling the story of my life
to the clean white towels taken from the dryer.
I carry them through the house
as though they were my children
asleep in my arms.
[from THE BLESSING: New and Selected Poems, Copper Canyon Press 2000]
]]></description>
			<content:encoded><![CDATA[<p><a href="http://bashosroad.outlawpoetry.com/files/2012/11/White_Towels_3.jpg"><img class="alignnone size-full wp-image-629" src="http://bashosroad.outlawpoetry.com/files/2012/11/White_Towels_3.jpg" alt="" width="758" height="503" /></a></p>
<h1 style="text-align: center"><strong>RICHARD JONES</strong></h1>
<h1><strong>WHITE TOWELS</strong></h1>
<h1><strong><br />
I have been studying the difference<br />
between solitude and loneliness,<br />
telling the story of my life<br />
to the clean white towels taken from the dryer.<br />
I carry them through the house<br />
as though they were my children<br />
asleep in my arms.</strong></h1>
<p>[from <a href="https://www.coppercanyonpress.org/pages/browse/book.asp?bg={8ABF6AB5-8A6E-423D-A976-37ED7EA94BAE}"><strong>THE BLESSING</strong>: New and Selected Poems, Copper Canyon Press 2000</a>]</p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>louis simpson &#124; in the suburbs</title>
		<link>http://bashosroad.outlawpoetry.com/louis-simpson-in-the-suburbs/louis-simpson/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/louis-simpson-in-the-suburbs/louis-simpson/haiku/#comments</comments>
		<pubDate>Sat, 27 Oct 2012 08:23:44 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Louis Simpson]]></category>
		<category><![CDATA[In the Suburbs]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=625</guid>
		<description><![CDATA[
LOUIS SIMPSON
IN THE SUBURBS
There’s no way out.
You were born to waste your life.
You were born to this middleclass life
As others before you
Were born to walk in procession
To the temple, singing.
&#8211;Louis Simpson
[from: AT THE END OF THE OPEN ROAD, Wesleyan, 1960]
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-626" src="http://bashosroad.outlawpoetry.com/files/2012/10/suburbia.jpg" alt="" width="758" height="503" /></p>
<h1 style="text-align: center"><span style="color: #808080"><strong>LOUIS SIMPSON</strong></span></h1>
<h1><strong>IN THE SUBURBS</strong></h1>
<h1><strong>There’s no way out.<br />
You were born to waste your life.<br />
You were born to this middleclass life</strong></h1>
<h1><strong>As others before you<br />
Were born to walk in procession<br />
To the temple, singing.</strong></h1>
<p>&#8211;Louis Simpson</p>
<p>[from: <strong>AT THE END OF THE OPEN ROAD</strong>, Wesleyan, 1960]</p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>dave etter&#124; alliance, illinois</title>
		<link>http://bashosroad.outlawpoetry.com/dave-etter-alliance-illinois/dave-etter/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/dave-etter-alliance-illinois/dave-etter/haiku/#comments</comments>
		<pubDate>Tue, 25 Sep 2012 18:49:28 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Dave Etter]]></category>
		<category><![CDATA[Alliance]]></category>
		<category><![CDATA[Crystal Gavis]]></category>
		<category><![CDATA[Estelle Etherege]]></category>
		<category><![CDATA[Illinois]]></category>
		<category><![CDATA[Patricia Wells]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=621</guid>
		<description><![CDATA[
DAVE ETTER
PATRICIA WELLS:

Monday Morning
The six
fat crows
that sit
on the
bare limbs
of my
ash tree
stare with
dead eyes.
They know
damn well
I have
heavy
debts I
cannot
never
ever
repay.

 
CRYSTAL GAVIS:

 Depressed After Being Fired from Another Job
The black ant drags a bread crumb
clear across the kitchen floor.
That’s something else I can’t do.


 
ESTELLE ETHEREGE:

Fifty
Today I am 50 years old. 50!
Coming up the hill from the meat [...]]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center"><img class="alignnone size-full wp-image-622" src="http://bashosroad.outlawpoetry.com/files/2012/09/img078.jpg" alt="" width="758" height="1115" /></h1>
<h1 style="text-align: center"><span style="color: #ff6600"><strong>DAVE ETTER</strong></span></h1>
<h1><span style="color: #ff6600">PATRICIA WELLS:</span></h1>
<blockquote>
<h1><strong>Monday Morning</strong></h1>
<h1><strong>The six<br />
fat crows<br />
that sit<br />
on the<br />
bare limbs<br />
of my<br />
ash tree<br />
stare with<br />
dead eyes.</strong></h1>
<h1><strong>They know<br />
damn well<br />
I have<br />
heavy<br />
debts I<br />
cannot<br />
never<br />
ever<br />
repay.</strong></h1>
</blockquote>
<p><span style="color: #ff6600"> </span></p>
<h1><span style="color: #ff6600">CRYSTAL GAVIS:</span></h1>
<blockquote>
<h1><strong> Depressed After Being Fired from Another Job</strong></h1>
<h1><strong>The black ant drags a bread crumb<br />
clear across the kitchen floor.</strong></h1>
<h1><strong>That’s something else I can’t do.</strong></h1>
<p><strong><br />
</strong></p></blockquote>
<p><span style="color: #ff6600"> </span></p>
<h1><span style="color: #ff6600">ESTELLE ETHEREGE:</span></h1>
<blockquote>
<h1><strong>Fifty</strong></h1>
<h1><strong>Today I am 50 years old. 50!</strong></h1>
<h1><strong>Coming up the hill from the meat market,<br />
I can see that my house is in sad shape.<br />
The front porch sags, a window is broken,<br />
and the wind chips off flakes of paint.</strong></h1>
<h1><strong>51, 52, 53, 54, 55, 56…70!</strong></h1>
</blockquote>
<p>[from <span style="color: #ff6600">ALLIANCE, ILLINOIS, Spoon River Poetry Press, 1983</span>]</p>
<p><img class="alignnone size-full wp-image-623" src="http://bashosroad.outlawpoetry.com/files/2012/09/abandoned_house_2.jpg" alt="" width="758" height="754" /></p>
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		<title>shinkichi takahashi &#124; triumph of the sparrow</title>
		<link>http://bashosroad.outlawpoetry.com/shinkichi-takahashi-triumph-of-the-sparrow/shinkichi-takahashi/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/shinkichi-takahashi-triumph-of-the-sparrow/shinkichi-takahashi/haiku/#comments</comments>
		<pubDate>Sat, 22 Sep 2012 07:01:11 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Shinkichi Takahashi]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Triumph of the Sparrow]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=619</guid>
		<description><![CDATA[
SHINKICHI TAKAHASHI
The wind blows hard among the pines
toward the beginning
of an endless past.
Listen: you&#8217;ve heard everything.
[from TRIUMPH OF THE SPARROW]
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			<content:encoded><![CDATA[<h1 style="text-align: center"><img class="size-full wp-image-620 alignnone" src="http://bashosroad.outlawpoetry.com/files/2012/09/pine.jpg" alt="" width="758" height="569" /></h1>
<h1 style="text-align: center"><strong>SHINKICHI TAKAHASHI</strong></h1>
<h1><strong>The wind blows hard among the pines<br />
<strong>toward the beginning<br />
<strong>of an endless past.<br />
<strong>Listen: you&#8217;ve heard everything.</strong></h1>
<p>[from <strong>TRIUMPH OF THE SPARROW</strong>]</p>
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		<title>raymond chandler &#124; the long goodby</title>
		<link>http://bashosroad.outlawpoetry.com/raymond-chandler-the-long-goodby/raymond-chandler/haiku/</link>
		<comments>http://bashosroad.outlawpoetry.com/raymond-chandler-the-long-goodby/raymond-chandler/haiku/#comments</comments>
		<pubDate>Mon, 17 Sep 2012 22:16:35 +0000</pubDate>
		<dc:creator>Monsieur K.</dc:creator>
				<category><![CDATA[Raymond Chandler]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[The Long Goodby]]></category>

		<guid isPermaLink="false">http://bashosroad.outlawpoetry.com/?p=615</guid>
		<description><![CDATA[
RAYMOND CHANDLER
I like bars just after they open in the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is on straight and his hair is smooth. I like the neat bottles on [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center"><img class="alignright size-full wp-image-616" src="http://bashosroad.outlawpoetry.com/files/2012/09/dsc00663.jpg" alt="" width="758" height="569" /></p>
<h1 style="text-align: center"><span style="color: #ff0000"><strong>RAYMOND CHANDLER</strong></span></h1>
<h1 style="text-align: justify"><strong>I like bars just after they open in the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is on straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar&#8212;that’s wonderful. </strong></h1>
<p>[from, <span style="color: #ff0000"><strong>THE LONG GOODBYE</strong></span>, 1953]</p>
<p><img class="alignright size-full wp-image-617" src="http://bashosroad.outlawpoetry.com/files/2012/09/Chandler.jpg" alt="" width="758" height="465" /></p>
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